PANꙮPTICON
ROSARIUM

excisor of telepathic sensitivity

foreground: a field of red poppies. background: swirls of red with streaks of black and some blue and a human heart, rendered against them in black linework. if you look closely, shapes of gears are visible thru the colour-swirls
fingerlike blue-purple protrusions intruding from the top left corner upon a field of vague shapes turning from black to yellow-brown to red to finally green and turquoise
Violette Nozière as Janus
"I never help". Olive Fremstad as Kundry
background: complex interlocking fields of blues and purples with some white and green. bottom: a black and white rock. emerging from the rock is a snake textured with complex, organic greens and yellows
on light yellow background, in the top right corner a nazar-like blue eye weeping a blue tear; to its left and slightly below but partly overlapping it a red circle; below either of them and slightly right of the eye but overlapping a red square; and a red triangle well below the circle; all connected by a dotted red line going zig-zag. near the square's lower right hand corner, an asterisk in lighter red. in the gap between the shapes, going diagonally in bold times new roman, the text 'No relation at all obtains between these different objects'. at either end of the text block, an irregular black shape intrudes from the border of the image. inside either block is a pair of curly quotes in white
police photographs showing the papin sisters side by side, digitally altered. on the left, lea papin is mostly blue, with yellow and pink lines on her face, some red in her hair, purple lines falling down her shoulders, and a black and yellow checkerboard pattern covering most of her torso. on the right, christine papin is a green-yellow, with cyan and black lines n yer face, bulbous shapes behind her head, and complex, organic-looking bright green and deep turquoise patterns on her chest, turning to red and pink at the right side the Papin sisters
glitched spider sculpture. foreground has old-style serifed text reading 'ah shit' the sculpture is 'Maman' by Louise Bourgeois at Guggenheim Bilbao
rough black and white shapes converge towards the top of the image. a strip down the middle inverts the colours. in the middle is a black void; towards the top, the outline of a face can be dimly seen. at the bottom, cuneiform letters spell out 𒀭𒊩𒌆𒆠𒃲, dingir ereškigal EREŠ.KI.GAL
a sculpture depicting a naked woman with long hair and feathery wings laying on a table. the colours are green, blue, and purple, and complex wave-like patterns are superimposed over it. text, in purple sans serif, says 'i sanctify and am not sanctified.'the sculpture is 'Lilith' by Paul Fryer
background: a spiralling stairway in a mcmansion, coloured pink. foreground: a yellow halftone statue of hermaphrodites. text in bolded didot type runs down the curve of the stair
phantasmagoric wavering spider, mostly in blues, oranges, and pinks
a complex, turbulent field of vivid colours, going from soft greens at top left to cyan at the middle to darker greens at bottom left to light pink and cyan at bottom right to browns and oranges at middle right to purple and magenta at top right. resting on top of it are four symbols in equally complex colours, three of them, on the left, mostly purple-pink, the one on the right multi-coloured with greens, yellows, and blues visible
a psychedelic multi-coloured dreamscape with some rock fomrations visible at the bottom, and a sun-like thing with an eye in the centre and hands reaching out, surrounded by the letters 'chao os ma gnvm', done negative colour white and black towards the top